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The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
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Due to the often multiple practical uses of folk art artifacts from the United States, many pieces of art go anonymous and unconnected to any specific artists. [7] Although there are many prominent and well known American folk artists, there are many more who are lacking in biographical details or cannot have anonymous creations attributed to them, posing a challenge to the study of folk art.
Possibly the most identifiable Border tartan garment of the region is the maud, made popular from the 1820s by fashionable Border Scots such as Sir Walter Scott, James Hogg, Henry Scott Riddell [1] and Robert Burns. The modern Border tartan is a crossweave of small dark and light checks, much plainer than the more elaborate Scottish tartans. [2]
Romanian traditional clothing refers to the national costume worn by Romanians, who live primarily in Romania and Moldova, with smaller communities in Ukraine and Serbia. Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century.
The ancient Persian religion of Manichaeism made considerable use of images; not only was the founding prophet Mani (c.216–276) a professional artist, at least according to later Islamic tradition, but one of the sacred books of the religion, the Arzhang, was illustrated by the prophet himself, whose illustrations (probably essentially ...
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.