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Plumeria (/ p l uː ˈ m ɛ r i ə /), also known as frangipani, is a genus of flowering plants in the subfamily Rauvolfioideae, of the family Apocynaceae. [1] Most species are deciduous shrubs or small trees .
Plumeria, also known as frangipani, is a deciduous, semi-succulent tropical plant renowned for its fragrant and colorful flowers. Its distinctive scent can be sweet, spicy, floral, or fruity ...
The white and yellow flowered “Singapore" cultivar, also from the United States, usually holds its leaves all year round in Hawaii. [25] Coleosporium plumeriae, known as plumeria rust or frangipani rust, is a fungus which attacks young leaves of P. rubra. It causes a brownish or orange powdery coating or blistering of leaves.
Chonemorpha fragrans, the frangipani vine or climbing frangipani, is a plant species in the genus Chonemorpha. It is a vigorous, generally evergreen, climbing shrub producing stems 30 m (98 ft) or more long that can climb to the tops of the tallest trees in the forests of Southeast Asia. It has scented, white flowers and large shiny leaves.
The House of Frankopan (Croatian: Frankopani, Frankapani, Italian: Frangipani, Hungarian: Frangepán, Latin: Frangepanus, Francopanus) was a Croatian noble family, whose members were among the great landowner magnates and high officers of the Kingdom of Croatia in union with Hungary.
One of his most celebrated works, [2] Flowering Plants of Summer and Autumn consists of a pair of two-folded byōbu folding screens painted with ink and color on silver and gold-foiled paper, measuring 416.6 by 461.8 centimetres (164.0 in × 181.8 in) each.
Summer Morning, Summer Night is a short story collection by American writer Ray Bradbury, [1] [2] edited by Donn Albright and Jon Eller and first published by in 2002 PS Publishing. All the stories save one are set in Green Town, Illinois, Bradbury's name for his hometown of Waukegan, Illinois .
The House in the Night was well received by critics, including starred reviews from Booklist, [1] Kirkus Reviews, [2] and Publishers Weekly. [3]Kirkus Reviews called the illustrations "breathtaking", noting that they "embody and enhance the text’s message that light and dark, like comfort and mystery, are not mutually exclusive, but integral parts of each other". [2]