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AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole.
From 1950 onwards, magnetic tape quickly became the standard medium of audio master recording in the radio and music industries and led to the development of the first hi-fi stereo recordings for the domestic market, the development of multi-track tape recording for music, and the demise of the disc as the primary mastering medium for sound ...
The introduction of multi-track recording changed the recording process into one that generally involves three stages: recording, overdubbing, and mixing. [6] Modern mixing emerged with the introduction of commercial multi-track tape machines, most notably when 8-track recorders were introduced during the 1960s. The ability to record sounds ...
Multi-track may refer to: Multitrack recording, the process of mixing individual sound sources to a single recording; Multi-track diplomacy, a method of conflict resolution; Multi track, a process of civil litigation in England and Wales Fast Track (disambiguation) Red Book (CD standard), for audio CD and DVD discs containing multiple tracks ...
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.
The BTR3 recorder was initially intended to support 2 or 4 tracks, but the only machines produced were the stereo (2-track) machines, the 4-track version having been rejected at the prototype stage. Only a few of these BTR3s were built, and the only known use of them is at the Abbey Road Studios during the 1960s, where they were used for all ...
In 1954, in a recording studio equipped with an Ampex reel-to-reel audio tape recording machine, an unknown truck driver named Elvis Presley recorded his historic first single, "That's All Right" at Sun Studios in Memphis. Also that year, Ampex introduced the first multi-track audio recorder derived from multi-track data recording technology.