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Later in the 2000s, T-Pain used Auto-Tune extensively, further popularizing the use of the effect. [22] He cited the new jack swing producer Teddy Riley and funk artist Roger Troutman's use of the talk box as inspirations. [18] T-Pain became so associated with Auto-Tune that he had an iPhone app named after him that simulated the effect, "I Am ...
Celemony was founded in October 2000 by Peter Neubäcker, Prof. Dr. Hildegard Sourgens and Carsten Gehle. It is based in Munich, Germany. [2]In 2009, Melodyne won an MIPA Award for Most innovative product. [3]
Tunebot is a music search engine developed by the Interactive Audio Lab at Northwestern University.Users can search the database by humming or singing a melody into a microphone, playing the melody on a virtual keyboard, or by typing some of the lyrics.
A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4] The effect has been used by composer John Boswell for his Symphony of Science and Symphony of Bang Goes The Theory (a BBC science show) mash-ups.
The similarity is measured by determining the editing steps (inserting, deleting, or replacing a character) that are needed for converting the query contour into that of the search result. Since only the melodic contour is relevant, one can find melodies even if the key, rhythm, or the exact intervals are unknown.
Soundtrap developers at the 2015 MTFCentral Hack Camp. Soundtrap and Soundtrap AB were founded April 1, 2012 [1] in Stockholm, Sweden by Björn Melinder, Fredrik Posse, Gabriel Sjöberg, and Per Emanuelsson, who believed that it was too "complex to make music" and who wanted to create a studio with collaboration and “a full production environment where you can do professional-sounding ...
Early models of key finder were sound-based, and listened for a clap or whistle (or a sequence of same), then beeped for the user to find them. Determining what was a clap or a whistle proved difficult, resulting in poor performance and false alarms. Because of this low quality and unreliability, these early key finders were soon discarded and ...
In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit .
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