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Medusa, for flute, clarinet, violin, cello, piano, percussion and electronics (1969: withdrawn) Verses for Ensembles, for 3 instrumental ensembles (1968–69) Some Petals from my Twickenham Herbarium, for piccolo, clarinet in Bb, glockenspiel, piano, violin and violoncello (1969) An Imaginary Landscape, for brass, percussion and double basses ...
Viola sonata – Sonata for solo viola, often accompanied by piano. Violin sonata – Sonata for solo violin, often accompanied by piano. Symphonic poem – Orchestral composition based on an extra-musical narrative, often a literary or pictorial idea. Symphony – Large-scale composition, typically for an orchestra and often in four movements.
Another form of theatre music is incidental music, which, as in radio, film and television, is used to accompany the action or to separate the scenes of a play. The physical embodiment of the music is called a score , which includes the music and, if there are lyrics, it also shows the lyrics.
Taoist Sacred Dance for piano and flute (2003) Music from The Sound of a Voice for flute, pipa, violin, cello and percussion (2003) Sonata for Violin and Piano (2008) Duo for Viola & Percussion (2009) [2] Pendulum, movement for violin and piano (2010) Duos for violin and cello (2010–11, arranged from Double Concerto for Violin and Cello)
Manfred: Dramatic Poem with Music in Three Parts (Opus 115) (German: Manfred. Dramatisches Gedicht in drei Abtheilungen ) is a work of incidental music by Robert Schumann . The work is based on the 1817 poem Manfred by Lord Byron and consists of an overture , and 15 pieces of music: an entracte , melodramas , and several solos and choruses .
Aladdin, or the Wonderful Lamp (in Danish: Aladdin, eller Den forunderlige Lampe; typically shortened to just Aladdin), Op. 34 (FS 89; CNW 17), is theatre music for soloists, mixed choir, and orchestra written from 1917 to 1919 by the Danish composer Carl Nielsen to accompany the Danish playwright Adam Oehlenschläger's 1805 "dramatic fairy tale" ("dramatisk eventyr") of the same name.
Kammermusik II Concerto for piano and twelve solo instruments, Op. 36/1 (1924) Concert Music for Piano, Brass and Two Harps, Op. 49 (1930) The Four Temperaments (1940) Piano Concerto (1945) Alun Hoddinott. Concerto for Piano, Winds and Percussion, Op. 19 (1961) Concerto No. 2, Op. 21 (1960) Concerto No. 3, Op. 44 (1966) Josef Hofmann
for piano & magnetic tape [9] Tal 1962, Jerusalem 1964: Concerto No. 5: for piano & electronic music: Gerty Blacher-Herzog 1964, Berlin 1964 (Rev. 1977) Concerto: for harpsichord & electronic music: Frank Pelleg 1964, Tel Aviv 1970: Concerto No. 6: for piano & electronic music: Tal 1970, Jerusalem 1975: Five Densities: for piano: Arnan Wiesel ...