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He cites various jazz performers for the natural quality of their sound production, sound that makes each performer readily identifiable. A final brief section in this chapter, on improvisation, states that group improvisation, a hallmark of early jazz, is a distinctively African practice. Schuller counters a variety of other theories of the ...
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
Jazz is a music genre that originated in the Black-American communities of New Orleans, Louisiana, [5] [6] in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. [ 7 ] [ 8 ] New Orleans provided a cultural humus in which jazz could germinate because it was a port city with many cultures and beliefs intertwined ...
The Oxford Companion to Jazz. Oxford University Press US. ISBN 0-19-518359-2. Knapp, Raymond (2005). The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0-691-11864-7. Koenig, Karl (2002). Jazz in Print (1856-1929): An Anthology of Selected Early Readings in Jazz History. Pendragon Press. ISBN 1-57647 ...
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [3] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
Jazz pianist Fats Waller wrote many of the early jazz standards, including "Squeeze Me" (1925), "Ain't Misbehavin'" (1929) and "Honeysuckle Rose" (1929). 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. [42] It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on ...
Bolden is also credited with the invention of the "Big Four", [11] a key rhythmic innovation on the marching band beat, which gave early jazz more room for individual improvisation. As Wynton Marsalis explains, [ 12 ] the big four (below) [ 13 ] was the first syncopated bass drum pattern to deviate from the standard on-the-beat march. [ 14 ]
Jazzmen is a book on the history of jazz. It was edited by Frederic Ramsey, Jr. and Charles Edward Smith, and was published by Harcourt, Brace & Company in 1939. It was the first jazz history book published in the United States and helped establish a story of early jazz as well as renewing interest in those forms of music and their players.