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Sacred Songs and Solos is a hymn collection compiled by Ira David Sankey, who partnered Dwight Lyman Moody in a series of evangelical crusades from 1870 until Moody's death in 1898. The collection first appeared in 1873, [ 1 ] and has subsequently been published in many editions and formats, expanding to a final volume of 1200 pieces that ...
Wesley encountered Gerhardt's hymn sung by Moravians on his travels in the United States, and compiled it into the hymnal that he compiled for the people in Georgia where he lived for a while. [3] In his diary for 1737-05-07 he records "translated six hymns from the German while on a journey to another plantation". [3]
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
The "Great Four" are four hymns widely popular in Anglican and other Protestant churches during the 19th century.[3]In his Anglican Hymnology, published in 1885, the Rev. James King surveyed 52 hymnals from the member churches of the Anglican Communion around the world, and found that 51 of them included these hymns, the so-called Great Four: [4]
Many of the Strict Baptists use the Companion Tune Book, a musical score of 1011 hymn tunes designed as a companion to Gadsby's hymn book. The hymn book was never widely used in churches outside the United Kingdom, but there is some renewed interest in it among Reformed Baptists as devotional poetry. Gadsby also published Nazarene's Songs ...
Three of the best-known poems in the collection are "Praise for Creation and Providence", "Against Idleness and Mischief", and "The Sluggard". [3] "Praise for Creation and Providence" (better known as "I sing the mighty power of God") is now a hymn sung by all ages. [4] "Against Idleness and Mischief" and "The Sluggard" (better known as "How ...
The hymn was translated to Swedish first in 1567, "Kom Helge Ande Herre Gudh", [7] and has appeared in a 1983 version by Britt G. Hallqvist in Den svenska psalmboken 1986 (The Swedish 1986 hymnal). The song was translated to English by Catherine Winkworth as "Come, Holy Spirit, God and Lord!", published in the first series of Lyra Germanica in ...