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A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition. Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called engraving; or through the corrosive action of acid – in which case the process is known as etching. [6] [7]
A monoprint is a single impression of an image made from a reprintable block. Materials such as metal plates, litho stones or wood blocks are used for etching upon. Rather than printing multiple copies of a single image, only one impression may be produced, either by painting or making a collage on the block.
An important and often confused distinction is that between editions of original prints, produced in the same medium as the artist worked (e.g., etching, or lithography), and reproduction prints (or paintings), which are photographic reproductions of the original work, essentially in the same category as a picture in a book or magazine, though better printed and on better paper.
Henry Farrer, Pelham Bay, c. 1875. In France the 1890s saw another wave of productivity in printmaking, with a great diversity of techniques, subjects, and styles. The album-periodical L'Estampe originale (not to be confused with the similar L'Estampe Moderne of 1897–1899, which was all lithographs, leaning more to Art Nouveau) produced nine issues quarterly between 1893 and 1895, containing ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]