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A soliloquy (/ s ə ˈ l ɪ l. ə. k w i, s oʊ ˈ l ɪ l. oʊ-/, from Latin solo "to oneself" + loquor "I talk", [1] [a] plural soliloquies) is a monologue addressed to oneself, thoughts spoken out loud without addressing another person. [2] [3] Soliloquies are used as a device in drama. In a soliloquy, a character typically is alone on a ...
The virtuoso soliloquy in Carl Michael Bellman's Fredman's Epistles, "Ack du min moder", was described by the poet and literary historian Oscar Levertin as "the to-be-or-not-to-be of Swedish literature". [12] [13] The Japanese band P-Model's song 2D or Not 2D, off their self-titled album, directly references the line. [citation needed]
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
The line "all the world's a stage [...]" from Shakespeare's First Folio [1] Richard Kindersley's sculpture The Seven Ages of Man in London "All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139.
Seyton then tells Macbeth of Lady Macbeth's death, and Macbeth delivers this soliloquy as his response to the news. [1] Shortly afterwards, he is told of the apparent movement of Birnam Wood towards Dunsinane Castle (as the witches had prophesied to him), which is actually Malcolm's forces having disguised themselves with tree branches so as to ...
On a hot summer day in 1963, more than 200,000 demonstrators calling for civil rights joined Dr. Martin Luther King Jr. for the March on Washington for Jobs and Freedom.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Another early example is the use of interior monologue by T. S. Eliot in his poem "The Love Song of J. Alfred Prufrock" (1915), "a dramatic monologue of an urban man, stricken with feelings of isolation and an incapability for decisive action," [29] a work probably influenced by the narrative poetry of Robert Browning, including "Soliloquy of ...