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The term "4K" is generic and refers to any resolution with a horizontal pixel count of approximately 4,000. [4]: 2 Several different 4K resolutions have been standardized by various organizations. The terms "4K" and "Ultra HD" are used more widely in marketing than "2160p".
According to Mitchell Whitelaw in his Metacreation: Art and Artificial Life, "On the screen they are luminous, twisting, elastic shapes, abstract tangles and loops of glowing filaments." [2] The name "Electric Sheep" is taken from the title of Philip K. Dick's novel Do Androids Dream of Electric Sheep?.
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Fine Wind, Clear Morning (Japanese: 凱風快晴, Hepburn: Gaifū kaisei, literally South Wind, Clear Sky), also known as Red Fuji (赤富士, Akafuji), [1] is a woodblock print by Japanese artist Hokusai (1760–1849), part of his Thirty-six Views of Mount Fuji series, dating from c. 1830 to 1832. [2]
David with the Head of Goliath is a painting by the Italian Baroque artist Caravaggio.It is housed in the Galleria Borghese, Rome. [1] The painting, which was in the collection of Cardinal Scipione Borghese [a] in 1650, [3] has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former.
Snow White & the Huntsman (2012) – selected wide shots and second unit work The Dark Knight Rises (2012) – selected scenes The Master (2012) – The projected frame on 70 mm release prints (and all digital prints) were "hard matted" to 1.85:1, clipping the sides and throwing away 16.3% of the full frame exposed on the 2.20:1 aspect ratio 65 ...
Witches' Sabbath 1821–1823, 140cm × 438cm, Museo del Prado. Goya used the imagery of covens of witches in a number of works, most notably in one of his Black Paintings, Witches' Sabbath or The Great He-Goat (1821–1823).
Oily lead white with scarce particles of charcoal; Oily blue with azurite; with layers 4 to 6 being original. The presence of chalk ground under the original blue proves that this is a panel painting transposed on a canvas. The original blue layer is lead white with azurite containing a few grains of ochre and charcoal.