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The crafting of jewellery or fictional items that could have been embellished to create a form of jewellery has a history in Scotland dating back to at least 300BCE, with the emergence of the "Celtic" style of decoration. [23] The Celtic style and the Pictish style are very similar and both have an influence in Scottish jewellery today.
A Kayan woman wearing neck rings The Celtic gold Snettishham Torc, England, 1st century BC. Neck rings, or neck-rings, are any form of stiff jewellery worn as an ornament around the neck of an individual, as opposed to a loose necklace. Many cultures and periods have made neck rings, with both males and females wearing them at various times.
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
A torc, also spelled torq or torque, is a large rigid or stiff neck ring in metal, made either as a single piece or from strands twisted together. The great majority are open at the front, although some have hook and ring closures and a few have mortice and tenon locking catches to close them. Many seem designed for near-permanent wear and ...
One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
"Celtic" is a term avoided by specialists in describing objects, and especially artistic styles, of the Early Middle Ages from the British Isles, but is firmly fixed in the popular mind. The term Insular art is used to describe the distinct style of art originating in the British Isles and combining Germanic, Celtic, Pictish and Mediterranean ...