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The Five Mystical Songs are a musical composition by English composer Ralph Vaughan Williams (1872–1958), written between 1906 and 1911. [1] The work sets four poems ("Easter" divided into two parts) by seventeenth-century Welsh poet and Anglican priest George Herbert (1593–1633), from his 1633 collection The Temple: Sacred Poems .
Five Flower Songs was recorded by the Elizabethan Singers conducted by Louis Halsey in 1965. [8] It became part of the composer's complete recordings. [9] Paul Spicer conducted the Finzi Singers in a 1997 recording of Five Flower Songs as vol. 3 of the series Britten / The Choral Edition for the Chandos label.
One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem: Ayn Rand: Song shares themes with the novel, such that Neil Peart recognized Rand in the album's liner notes. [32] "Abigail" Creatures: Motionless in White: The ...
abandonment, loss, separation, death and the cycle of rebirth. It's commonly referred to as the Flower of Death white: Positive nature, new beginnings, good health and rebirth yellow: Happiness, light, wisdom, gratitude, strength, everlasting friendship pink: Feminine love, beauty and passion Spiderwort "Esteem not love"; [5] transient ...
"The Song of a Wandering Aengus" is set to music by Caroline Herring. '5 Songs on Poems by W.B.Yeats' composed by Dutch composer Carolien Devilee (A Faery Song, He wishes for the clothes of heaven, The lake isle of Innisfree, To his heart, bidding it have no fear & The everlasting voices)
"Hearts and Flowers" (subtitle: "A New Flower Song") is a song composed by Theodore Moses-Tobani (with words by Mary D. Brine) and published in 1893 by Carl Fischer Music. The famous melody is taken from the introductory 2/4 section of "Wintermärchen" Waltzes Op. 366 (1891) by the Hungarian composer Alphons Czibulka .
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Its rhetorical "where?" and meditation on death place the song in the ubi sunt tradition. [4] In 2010, the New Statesman listed it as one of the "Top 20 Political Songs". [5] The 1964 release of the song as a Columbia Records Hall of Fame series 45 single, 13–33088, by Pete Seeger was inducted into the Grammy Hall of Fame in 2002 in the Folk ...