Ads
related to: tradition of excellence-trombone book 2
Search results
Results From The WOW.Com Content Network
The Maxwell Street Klezmer Band is a Chicago-based klezmer ensemble. It was founded by Lori Lippitz in 1983 and is directed by violinist Alex Koffman. [4] The band's educational and outreach focus led to the establishment of the Klezmer Music Foundation, which continues to support Maxwell Street Klezmer Band among other professional and amateur groups.
Gabrieli was born in Venice.He was one of five children, and his father came from the region of Carnia and went to Venice shortly before Giovanni's birth. While not much is known about Giovanni's early life, he probably studied with his uncle, the composer Andrea Gabrieli, who was employed at St Mark's Basilica from the 1560s until his death in 1585.
He wrote a book entitled Méthode complète pour le trombone in three volumes published in 1921 (first two volumes) and 1946 (third volume). In it he famously describes the practise of playing with vibrato as vulgar and glissandos of questionable taste .
Baker was among the first to codify the largely aural tradition of jazz. He is credited with writing 70 books, including several on jazz, such as Jazz Styles & Analysis – Trombone: A History of the Jazz Trombone Via Recorded Solos (1973), Jazz Improvisation ( 1988), and David Baker's Jazz Pedagogy (1989).
Lazar "Larry" Sitsky AO, FAHA (born 10 September 1934) is an Australian composer, pianist, and music educator and scholar.His long term legacy is still to be assessed, but through his work to date he has made a significant contribution to the Australian music tradition.
Trombone, tuba Musical artist David Wayne Bargeron (September 6, 1942 – January 18, 2025) was an American trombonist and tuba player who was a member of the jazz-rock group Blood, Sweat & Tears .
Jörgen van Rijen started playing trombone at age 8, and at the age of 16 began studying at the Rotterdam Conservatory under George Wiegel.During his studies, Jörgen spent three months studying with Michel Becquet, solo trombonist and teacher at the Conservatoire National Supérieur de Musique de Lyon, where he also studied baroque trombone with Daniel Lassalle.
The mouth has to be shaped to make the different vowel sounds, and above the singing from the throat, manipulation of the plunger adds the wa-wa accents that give the horn a language. I should add that in the Ellington tradition a straight mute is used in the horn besides a plunger outside, and this results in more pressure. Some players use ...