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A Sculptor from Hong Kong, Johnson Tsang, is mesmerizing people with his ability to capture realistic emotions mixed with surrealism. Over 20 years ago, the artist introduced expressive forms that ...
Johnson Chang (Cantonese: Chang Tsong-zung; [1] Chinese: 張頌仁) is a curator and dealer of contemporary Chinese art. He is a co-founder of the Asia Art Archive (AAA) in Hong Kong and a guest professor of the China Academy of Art in Hangzhou. [ 2 ]
Category Field of Study Fellow Ref Creative Arts: Biography: Craig Seligman: Choreography: Camille A. Brown [2]Michelle Ellsworth [3] [4]Emily Johnson [5]Juliana F. May
This list, of art makers who are considered Outsider artists, includes self-taught, visionary art and naïve art makers known for the creation of artworks that are primarily visual in nature such as drawings, paintings, sculptures, and visionary environments. The entries are in alphabetical order by surname.
Groupe de Recherche d'Art Visuel (GRAV) (Research Group for Visual Art) was a collaborative artists group in Paris [1] that consisted of eleven opto-kinetic artists, like François Morellet, Julio Le Parc, Francisco Sobrino, Horacio Garcia Rossi [Wikidata], Yvaral, Joël Stein [Wikidata] and Vera Molnár, who picked up on Victor Vasarely's concept that the sole artist was outdated and which ...
The Art Research Center is an independent not-for-profit association in Kansas City, Missouri. In its early days, members included architects, artists, composers, designers, writers and others. Its work was connected with the exploration of abstract Neo-Constructivism, by both individuals and groups. [1]
In 2004, a company named MutualArt launched the Artist Pension Trust as the first pension program for visual contemporary artists. It was founded by businessman Moti Shniberg, Hebrew University business professor, Dan Galai, and David A. Ross, former director of the Whitney Museum and the San Francisco Museum of Modern Art. [12]
As Tsang stated in a 2016 interview, "The more subjective I could be in telling my own experience of the situation, the more ethical I could be to my subjects and collaborators." [13] In an interview with Art Basel, Wu Tsang said she approached this film as more as an activist than a filmmaker. She continues by saying she "felt there was an ...