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186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
An obvious English translation of cliché verre is "glass print", but this is usually avoided because the term has another meaning. This is a print that has been glued face down onto glass, the paper then being carefully rubbed off to leave the ink film adhering to the glass. This is then hand-coloured and framed as a decorative piece.
The digital glass printer is a flatbed digital printer designed with print heads to jet ceramic inks directly onto the glass. [5] The glass remains stationary while only the printer carriage sweeps across the print table. A key feature of the printer is drop fixation in which ink droplets are dried immediately to prevent drop gain. The fixation ...
The image is drawn onto a ground glass matrix with water-soluble art materials, over which is applied a film of common caulking silicone thinned with synthetic turpentine. Master printer Mark Mahaffey has found that frosted Mylar can be used as a printing matrix as well as 3/8” float glass to create a vitreograph using waterless lithography.
However, from 1880 to 1950 a photo-mechanical ("line-block") variant was the dominant form of commercial printing for images. A similar process to etching, but printed as a relief print, so it is the "white" background areas which are exposed to the acid, and the areas to print "black" which are covered with ground. Blake's exact technique ...
The chlorophyll process adopted by Almudena was popularized in the 90’s by Heather Ackroyd and Dan Harvey, who projected photographs onto grass using a negative and light cast by a projector bulb.
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