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Expressionism was a dominant influence on early 20th-century German theatre, of which Georg Kaiser and Ernst Toller were the most famous playwrights. Other notable Expressionist dramatists included Reinhard Sorge, Walter Hasenclever, Hans Henny Jahnn, and Arnolt Bronnen. Important precursors were the Swedish playwright August Strindberg and ...
Expressionist architecture was individualistic and in many ways eschewed aesthetic dogma, [6] but it is still useful to develop some criteria which defines it. Though containing a great variety and differentiation, many points can be found as recurring in works of Expressionist architecture, and are evident in some degree in each of its works:
Expressionism on the American stage: Paul Green and Kurt Weill's Johnny Johnson (1936). Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world.
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of ...
Early-20th-century fiction consisting of literary representations of quotidian thought, without authorial presence [89] Dorothy Richardson, Virginia Woolf, James Joyce: Impressionism: It influenced by the European Impressionist art movement and subsumed into several other categories.
Another significant expressionist was Béla Bartók (1881–1945) in early works, written in the second decade of the 20th century, such as Bluebeard's Castle (1911), [6] The Wooden Prince (1917), [7] and The Miraculous Mandarin (1919). [8]
Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art.