Ad
related to: portrait painting definition literature
Search results
Results From The WOW.Com Content Network
The portrait, as a literary genre, is a written description or analysis of a person or thing. A written portrait often gives deep insight, and offers an analysis that goes far beyond the superficial. It is considered a parallel to pictorial portraiture. The imitation of painting is
Portrait painting is a genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted ...
But if the definition is extended, the first was by the Egyptian Pharaoh Akhenaten's sculptor Bak, who carved a representation of himself and his wife Taheri c. 1365 BC. However, it seems likely that self-portraits go back to the cave paintings, the earliest representational art, and literature records several classical examples that are now lost.
The art of the portrait flourished in Ancient Greek and especially Roman sculpture, where sitters demanded individualized and realistic portraits, even unflattering ones. One of the best-known portraits in the Western world is Leonardo da Vinci 's painting titled Mona Lisa , which is thought to be a portrait of Lisa Gherardini , the wife of ...
After history painting came, in order of decreasing worth: portraits, scenes of everyday life (called scènes de genre, or "genre painting", and also petit genre to contrast it with the grande genre), landscapes, animal painting, and finally still lifes. In his formulation, such paintings were inferior because they were merely reportorial ...
Portrait painting thrived in the Netherlands in the 17th century, as there was a large mercantile class who were far more ready to commission portraits than their equivalents in other countries; a summary of various estimates of total production arrives at between 750,000 and 1,100,000 portraits. [29]
The originator of the term was the French art critic Jules-Antoine Castagnary, who in 1863 announced that: "The naturalist school declares that art is the expression of life under all phases and on all levels, and that its sole aim is to reproduce nature by carrying it to its maximum power and intensity: it is truth balanced with science".
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...