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Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman, found in the Gospel of John at 4:4-26. One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander".
The verses tell the story of Jesus and the Samaritan woman at the well, found in the Gospel of John at 4:4-30. The refrain draws from the Gospel of John at 12:32, often interpreted as a prophecy of the Crucifixion and/or the Resurrection of Jesus: And I, if I be lifted up from the earth, will draw all men unto me. and runs as follows: [3]
Pilgrim Song is a 2012 mumblecore drama film, directed by Martha Stephens, from a screenplay by Stephens, and Karrie Crouse. It stars Timothy Morton, Bryan Marshall, Karrie Crouse, Harrison Cole and Michael Abbott Jr. The film had its world premiere at South by Southwest on March 10, 2012.
"I Am a Pilgrim" is a traditional Christian hymn from the United States, first documented in the mid-19th century. It forms part of the repertoire of gospel , folk , and bluegrass artists. The song combines elements from an "[o]ld hymn entwined with Poor Wayfaring Stranger (Sacred Harp - 1844).
The Pilgrim, Their God and the King of My Decrepit Mountain received a score of 72 out of 100 on review aggregator Metacritic based on four critics' reviews, indicating "generally favorable" reception. [1] Mojo felt that "Tapir!'s considerable world-building skills impress, even if seven-minute closer 'Mountain Song' seems a little ...
"A Pilgrim's Way" is one of the most popular of poems by Rudyard Kipling. It was set to music by Peter Bellamy , [ 2 ] and has been recorded by Cockersdale , [ 3 ] Finest Kind, [ 4 ] John Roberts & Tony Barrand, [ 5 ] Damien Barber & Mike Wilson, [ 6 ] as well as the band Pilgrims’ Way (comprising Lucy Wright, Tom Kitching and Edwin Beasant).
Stuart plays the role of the Pilgrim, as well as other roles. It was a significant move in Stuart's career, as before The Pilgrim, he had been focusing more on trying to score a hit song instead of making the music that really mattered to him. With this album, he demonstrates his songwriting skills (every track is either written or co-written ...
Musicologist Margaret Gynn described how Byrd had taken what was originally "a love-song of the road" and transformed it by giving it the "serious religious character of a pilgrimage". [3] According to Bradley Brookshire , the variations form a sort of "covert speech" addressed to Catholic recusants in Elizabethan culture.