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Many other jazz artists also borrowed from black gospel music. Before World War II, American churches, black and white, regarded jazz and blues with suspicion or outright hostility as "the devil's music". It was only after World War II that a few jazz musicians began to compose and perform extended works intended for religious settings or ...
Nigun refers to religious songs and tunes that are sung by groups. It is a form of voice instrumental music, often without any lyrics or words, although sounds like “bim-bim-bam” or “Ai-ai-ai!” are often used. Sometimes, Bible verses or quotes from other classical Jewish texts are sung repetitively in the form of a nigun.
AllMusic awarded the album 3 stars stating: "The music here is a reflection of the church, using a broader base of textures and colors in jazz. The dynamics are powerful in this performance, and the communication between Horn's quintet, the orchestra led by Lalo Schifrin, and the chorus is undeniably magical.
The Dartmouth Jewish Sound Archive; Jewish Music Research Center; Judaica Sound Archives at Florida Atlantic University Libraries Archived 2020-09-29 at the Wayback Machine; The Jewish Music WebCenter; Music and the Holocaust Articles, images and recordings of music of 1933–1945. A list of Jewish composers with sheet music published by IMSLP.com.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Critic Robert Cummings wrote: "The jaunty, spirited theme hardly sounds like the product of the pre–Civil War era, and would not sound out of place in a ragtime or even jazz musical from the early 20th century. The closing portion of the tune, sung to the words quoted above, is its most memorable portion: the notes plunge emphatically and ...
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Goodman was the leader of a racially integrated band named King of Swing. His jazz concert in the Carnegie Hall in 1938 was the first ever to be played there. [8] The concert was described by Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music.".