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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
C minor is a minor scale based on C, ... Tonic – C minor; Supertonic – D diminished; ... Piano Trio in C minor, MWV Q3;
Five of the most common seventh chord, all built on C: major (C Δ7), dominant (C 7), minor (C– 7), half-diminished (C ø 7), and diminished (C o 7) A seventh chord is a triad with a seventh . The seventh is either a major seventh [M7] above the root, a minor seventh [m7] above the root (flatted 7th), or a diminished seventh [d7] above the ...
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
In lead sheets and popular music books it is usually written Cdim or C °. Diminished seventh chord on C Play ⓘ. A diminished seventh chord consists of three superposed minor thirds, and thus has all successive notes a minor third apart; it contains two diminished fifths. In jazz theory, a diminished seventh chord has four available tensions ...
A "raised 7th" is also a strong indication of a minor scale (instead of a major scale): For example, C major and A minor both have no sharps or flats in their key signatures, but if the note G ♯ (the seventh note in A minor raised by a semitone) occurs frequently in a melody, then this melody is likely in A harmonic minor, instead of C major.
For example, in music based on the pentatonic scale containing pitches C, D, E, G, and A, modulating a fifth higher gives the collection of pitches G, A, B, D, and E, having four of five tones in common. However, modulating up a tritone would produce F ♯, G ♯, A ♯, C ♯, D ♯, which shares no common tones with the original scale. Thus ...