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The subject of this painting was originally to form part of a piece inspired by Burne-Jones's visit to Italy in 1872. The original had intended to depict "the beginning of the world — with Pan and Echo and sylvan gods, and a forest full of centaurs, and a wild background of woods, mountains and rivers."
Van Gogh made several paintings of undergrowth, a genre of painting known as sous-bois that was brought into prominence by artists of the Barbizon School and the early Impressionists. The works from this series successfully use shades of color and light in the forest or garden interior paintings.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Yesterday in the rain I painted a large landscape viewed from a height in which there are fields as far as the eye can see, different types of greenery, a dark green field of potatoes, between the regular plants the lush, violet earth, a field of peas in flower whitening to the side, a field of pink-flowered lucerne with a small figure of a ...
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
The painting was meticulously detailed by Verhaecht. In the foreground there are distinct flowers and birds. The painting maintains the compositional characteristics of the 16th-century landscape tradition. The space is structured in three color bands (yellow, green and blue) running parallel to the background. The horizon line is elevated.
Thomas Hill (1829–1908) Mount Lafayette in Winter 1870. White Mountain art is the body of work created during the 19th century by over four hundred artists who painted landscape scenes of the White Mountains of New Hampshire in order to promote the region and, consequently, sell their works of art.
The Forest of Fontainebleau: Morning is an oil painting by Théodore Rousseau, completed between 1849 and 1851. It was exhibited at the Paris Salon from 1850 to 1851. It is on display at the Wallace Collection, in London. [1] It is a landscape painting that depicts the forest of Fontainebleau in the morning. [2]