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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The United House of Prayer For All People (UHOP), an African-American denomination founded in 1919 in Massachusetts, is particularly known for its shout bands and distinctive form of shout music: brass players, predominantly trombone-based, inspired by jazz, blues and Dixieland, gospel and old-time spirituals: a more soulful/spiritual version ...
Download as PDF; Printable version; In other projects ... Pages in category "African-American spiritual songs" The following 53 pages are in this category, out of 53 ...
Black composer and musician Thomas A. Dorsey, became a highly influential figure in Black gospel music beginning in the 1920s and 1930s. He earned the title of the “Father of Gospel Music” for ...
Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1]
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
"Down in the River to Pray" (Roud 4928, also known as "Down to the River to Pray," "Down in the Valley to Pray," "The Good Old Way," and "Come, Let Us All Go Down") is a traditional American song variously described as a Christian folk hymn, an African-American spiritual, an Appalachian song, and a Southern gospel song. The exact origin of the ...
They had been writing songs since the 90s. Dewitt enjoyed some success as a songwriter when singer Ron Kenoly recorded Dewitt's song "Use Me" for the 1994 album God Is Able . The song has since become a staple in many churches and has been covered several times, most notably by the Grammy -winning Brooklyn Tabernacle Choir .