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Il Pigmalione (Pygmalion) is a scena lirica (lyric scene or opera) in one act by Gaetano Donizetti.The librettist is unknown, but it is known that the libretto was based on one by Antonio Simeone Sografi for Giovanni Battista Cimador [] 's Pimmalione (1790), in turn based on Jean-Jacques Rousseau's Pygmalion [1] and ultimately based on Book X of Ovid's Metamorphoses. [2]
The story was combined with and inflected the modern re-telling of the Pygmalion myth, especially in its treatment by George Bernard Shaw as the 1913 play Pygmalion, though Henry Higgins does not, in the play, display any romantic attraction to Eliza Doolittle whatsoever; thus, the parallel with the 'king and the beggar-maid' is not valid.
Pygmalion is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera Le devin du village.Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment).
Pygmalion; or, The Statue Fair, an 1867 musical burlesque by William Brough; Pygmalion, ou La Statue de Chypre, an 1883 ballet with choreography by Marius Petipa; Pygmalion, a 1913 play by George Bernard Shaw
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
Pimmalione (Pygmalion) is an opera in one act by Luigi Cherubini, first performed at the Théâtre des Tuileries, Paris, on 30 November 1809.The libretto is an adaptation by Stefano Vestris [1] of Antonio Simone Sografi's Italian translation of the text Jean-Jacques Rousseau wrote for his scène lyrique Pygmalion (1770).
The Shakespeare canon is generally defined by the 36 plays published in the First Folio (1623), some of which are thought to be collaborations or to have been edited by others, and two co-authored plays, Pericles, Prince of Tyre (1609) and The Two Noble Kinsmen (1634); two classical narrative poems, Venus and Adonis (1593) and The Rape of Lucrece (1594); a collection of 154 sonnets and "A ...
Shakespeare uses a similar theme again with Leontes in his play, The Winter's Tale. [7] The placement of the sonnet leads many to believe that Shakespeare had a direct relation with the "dark lady" (as referenced as the inspiration for sonnets 127-152). Many scholars believe that Shakespeare had an affair and that a mistress was his inspiration ...