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In 2008, a contemporary Christian music group, Casting Crowns, scored their eighth No. 1 Christian hit with "I Heard the Bells on Christmas Day", from their album Peace on Earth. [17] The song is not an exact replica of the original poem or carol, but an interpolation of verses 1, 6, 7 and 3 (in that order), interposed with a new chorus.
This list of Christmas carols is organized by language of origin. Originally, a "Christmas carol" referred to a piece of vocal music in carol form whose lyrics centre on the theme of Christmas or the Christmas season. The difference between a Christmas carol and a Christmas popular song can often be unclear as they are both sung by groups of ...
In 1850, Sears' lyrics were set to "Carol", a tune written for the poem the same year at his request, by Richard Storrs Willis. This pairing remains the most popular in the United States, while in Commonwealth countries, the lyrics are set to "Noel", a later adaptation by Arthur Sullivan from an English melody.
"The Twelve Days of Christmas" is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their "true love" on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).
A Christmas carol is a carol (a song or hymn) on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas and holiday season. The term noel has sometimes been used, especially for carols of French origin. [1] Christmas carols may be regarded as a subset of the broader category of Christmas music.
"Away in a Manger" is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols; a 1996 Gallup Poll ranked it joint second.
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The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. Anschütz's version still had treu (true, faithful) as the adjective describing the fir's leaves (needles), harking back to the contrast to the faithless maiden of the folk song.