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The current "Big Five" majors (Universal, Paramount, Warner Bros., Disney, and Sony) all originate from film studios that were active during Hollywood's "Golden Age". Four of these were among that original era's "Eight Majors," being that era's original "Big Five" plus its "Little Three," collectively the eight film studios that controlled as much as 96% of the market during the 1930s and 1940s.
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...
Competition of other media (television, internet, home video, film piracy) [10] Total number of films in the marketplace at a given time [10] Screen quotas (no influence on U.S. box office) Price differences: matinee and evening tickets, [13] roadshow tickets, [13] or difference between rural and urban cinemas [12] Length of release (number of ...
(Top) 1 Worldwide grosses lists. Toggle Worldwide grosses lists subsection. 1.1 Worldwide grosses. 1.2 Animated films grosses. ... List of films that received the ...
Revenue came in at $6.73 billion, missing Bloomberg consensus expectations of $6.95 billion. ... revenue from its studios segment nosedived 34% compared to the prior year, driven by a 71% plunge ...
Six different directors have directed the highest-grossing film on multiple occasions: George Lucas, Steven Spielberg, James Cameron, Sam Raimi, Robert Zemeckis, and Chris Columbus. Spielberg has the record, directing four of the yearly highest-grossing films: Raiders of the Lost Ark (1981), E.T. the Extra-Terrestrial (1982), Jurassic Park ...
In the American and international markets, the major film studios, often known simply as the majors or the Big Five studios, are commonly regarded as the five diversified media conglomerates whose various film production and distribution subsidiaries collectively command approximately 80 to 85% of U.S. box office revenue.
The worldwide theatrical market had a box office of US$42.2 billion in 2019. The top three continents/regions by box-office gross were Asia-Pacific with US$17.8 billion, the U.S. and Canada with US$11.4 billion, and Europe, the Middle East and North Africa with US$10.3 billion.