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Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...
This Is Your Brain on Music: The Science of a Human Obsession is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2006, and updated and released in paperback by Plume/Penguin in 2007.
The psychology of music, or music psychology, may be regarded as a branch of psychology, cognitive science, neuroscience, and/or musicology.It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Of all the traits, openness to experience has been shown to have the greatest effect upon genre preference. [10] [11] [21] In general, those rated high in openness to experience prefer music categorized as more complex and novel, such as classical, jazz, and eclecticism, [22] as well as intense and rebellious music.
From the first few chords we could tell this was going to be emotional. We swear the Labrador Retriever could tell too. His owner, Lauren, was playing "What a Wonderful World" by Louis Armstrong.
The World in Six Songs: How the Musical Brain Created Human Nature is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2008, and updated and released in paperback by Plume in 2009, and translated into six languages.
Philosophy of New Music, translated by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press. ISBN 0816636664. Adorno, Theodor W. 2009. Night Music: Essays on Music 1928–1962, edited by Rolf Tiedemann; translated by Wieland Hoban. London and New York: Seagull Books. ISBN 1906497214.