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8590 18317 Ensembl ENSG00000184933 ENSMUSG00000070417 UniProt O95222 n/a RefSeq (mRNA) NM_003696 NM_010983 RefSeq (protein) NP_003687 n/a Location (UCSC) Chr 11: 6.79 – 6.8 Mb Chr 7: 106.59 – 106.61 Mb PubMed search Wikidata View/Edit Human View/Edit Mouse Olfactory receptor 6A2 is a protein that in humans is encoded by the OR6A2 gene. It is Class II (tetrapod -specific) olfactory receptor ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...
It should only contain pages that are Gene Watson songs or lists of Gene Watson songs, as well as subcategories containing those things (themselves set categories). Topics about Gene Watson songs in general should be placed in relevant topic categories .
Gary Gene Watson (born October 11, 1943) [1] is an American country music singer. He is most famous for his 1975 hit "Love in the Hot Afternoon," his 1981 No. 1 hit "Fourteen Carat Mind," and his signature 1979 song "Farewell Party." Watson's long career has included five number one hits, [2] 21 top tens, and 48 charted singles.
"Don't Waste It on the Blues" is a song written by Jerry Vandiver and Sandy Ramos, and recorded by American country music artist Gene Watson. It was released in November 1988 as the first single from the album Back in the Fire. The song reached #5 on the Billboard Hot Country Singles & Tracks chart. [1]
In a medium bowl, stir the brown sugar with the mustard, coriander and jalapeño and season with salt and pepper. Scrape the mixture into a large resealable plastic bag.
"You're Out Doing What I'm Here Doing Without" is a song written by Allen Frizzell and Bo Roberts, and recorded by American country music artist Gene Watson. It was released in March 1983 as the first single from the album Sometimes I Get Lucky. The song reached #2 on the Billboard Hot Country Singles & Tracks chart. [1]
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]