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Drum tuning is the process of adjusting the frequency or pitch of a drum. Although most drums are unpitched instruments, they still have a fundamental pitch and overtones . Drums require tuning for a variety of reasons: to sound good together as a kit, to sound pleasing as an individual drum, to achieve the desired amount of ringing and ...
The common Zheng Diao tuning sets "do" to approx. "F 3" and tunes other strings relative to that to give C 3 D 3 F 3 G 3 A 3 C 4 D 4. Gusli: 9 strings 9 courses. Standard/common: E 3 A 3 B 3 C 4 D 4 E 4 F 4 G 4 A 4. Крыловидные гусли Russia Tuning varies; this is a common traditional tuning
A tuning is a sequence of pitches to which the strings are tuned. A stringing is a set of string gauges (and very occasionally other string parameters) that support one or more tunings. Just as many stringings support more than one tuning, so for many tunings there is more than one common stringing.
Drum charts are musical charts written for drummers. They are used to help guide the drummer through the music. Sometimes they are meant to be read literally and other times they are used as suggestions for what the drummer should play. Drum charts include their own musical vocabulary. The music written for drummers is not the same as, say, a ...
In musical tuning, the Pythagorean comma (or ditonic comma [a]), named after the ancient mathematician and philosopher Pythagoras, is the small interval (or comma) existing in Pythagorean tuning between two enharmonically equivalent notes such as C and B ♯, or D ♭ and C ♯. [1]
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are determined by choosing a sequence of fifths [2] which are "pure" or perfect, with ratio :. This is chosen because it is the next harmonic of a vibrating string, after the octave (which is the ratio 2 : 1 {\displaystyle 2:1} ), and hence is the ...
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
Rototom on a standard mounting bar. The rototom is a shell-less drum developed by Al Payson and Michael Colgrass that is able to change pitch by rotating its drumhead around a threaded metal ring. [1]