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The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated , it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
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In 1959, another Shure engineer, Ernie Seeler, advanced the art of microphone design significantly with the Unidyne III capsule which was later used in the SM57. [1] After three years of research and development , which encompassed various torture tests, the result was the creation of the SM series of rugged and reliable Shure microphones. [ 1 ]
Shure SM-91, which is also commonly used inside a kick drum for sound reinforcement. Audio-Technica U843R, which has three cardioid condenser elements in the same housing plate, which allows for multiple, user-selected pickup patterns (levers allow the reorientation of the capsules; as well, individual capsules can be turned on or off).
Shure Brothers microphone, model 55S, multi-impedance "Small Unidyne" dynamic from 1951. A microphone, colloquially called a mic (/ m aɪ k /), [1] or mike, [a] is a transducer that converts sound into an electrical signal.
The Shure Beta 58A microphone. The Shure Beta 58A is a rugged dynamic supercardioid microphone developed by Shure Incorporated specifically for live vocal performances. [1] The microphone won a TEC Award in 1996 for outstanding microphone technology. [2] Shure's Beta series of microphones was introduced in 1989.
[1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create directional polar pickup patterns, so omni-directional microphones do not exhibit the effect (this is not necessarily true of the "omni" pattern on ...
The first commercially successful type of electrical phonograph pickup was introduced in 1925. Although electromagnetic, its resemblance to later magnetic cartridges is remote: it employed a bulky horseshoe magnet and used the same single-use steel needles which had been standard since the first mechanical transfer disc record players appeared in the 1890s.