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The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated , it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
The Shure Beta 58A microphone. The Shure Beta 58A is a rugged dynamic supercardioid microphone developed by Shure Incorporated specifically for live vocal performances. [1] The microphone won a TEC Award in 1996 for outstanding microphone technology. [2] Shure's Beta series of microphones was introduced in 1989.
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The first commercially successful type of electrical phonograph pickup was introduced in 1925. Although electromagnetic, its resemblance to later magnetic cartridges is remote: it employed a bulky horseshoe magnet and used the same single-use steel needles which had been standard since the first mechanical transfer disc record players appeared in the 1890s.
The origin of SM57 may be traced to 1937, when Shure engineer Benjamin Bauer developed the first single-element directional microphone, the Unidyne, which had a cardioid pickup pattern. [1] In 1959, another Shure engineer, Ernie Seeler, advanced the art of microphone design significantly with the Unidyne III capsule which was later used in the ...
Shure Brothers microphone, model 55S, multi-impedance "Small Unidyne" dynamic from 1951. A microphone, colloquially called a mic (/ m aɪ k /), [1] or mike, [a] is a transducer that converts sound into an electrical signal.
[1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create directional polar pickup patterns, so omni-directional microphones do not exhibit the effect (this is not necessarily true of the "omni" pattern on ...
The pickup patterns of the pair, combined with their positioning, delivers a high degree of stereo separation in the source signal, as well as the room ambiance. The Blumlein pair produces an exceptionally realistic stereo image, but the quality of recordings is highly dependent on the acoustics of the room and the size of the sound source.