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Japanoise (ジャパノイズ, Japanoizu), a portmanteau of "Japanese" and "noise", is the noise music scene of Japan. [1] [2]Nick Cain of The Wire identifies the "primacy of Japanese Noise artists like Merzbow, Hijokaidan and Incapacitants as one of the major developments in noise music since 1990.
Merzbow (Japanese: メルツバウ, Hepburn: Merutsubau) is a Japanese noise project started in 1979 by Masami Akita, [1] [2] best known for a style of harsh noise music. Since 1980, Akita has released over 500 recordings and collaborated with numerous artists.
Topics specifically related to the decade 1980s in the music of Japan, i.e. in the years 1980 to 1989. 1930s; 1940s; 1950s; 1960s; 1970s; 1980s; 1990s; 2000s ...
Project Name In Japanese Artists Involved Artists' Names In Japanese Acid Mothers Temple [1] [2] Kawabata Makoto 河端 一 Astro: アストロ Hiroshi Hasegawa 長谷川洋 Aube: オウブ Akifumi Nakajima 中嶋昭文 Boredoms [3] ボアダムス Yamatsuka "Eye" Tetsuro, Yamamoto Seiichi, Yoshimi P-We
Pink Lady (ピンク・レディー, Pinku Redī) are a Japanese female pop music duo of the late 1970s and early 1980s, featuring Mie (Mitsuyo Nemoto, born March 9, 1958) and Keiko Masuda (formerly Kei, born September 2, 1957).
The 11th World Popular Song Festival was held on 14 to 16 November 1980. [9] The 11th Japan Music Awards were held on 18 November 1980. [10] [11] The final of the 9th FNS Music Festival was held on 16 December 1980. [12] The 22nd Japan Record Awards were held on 31 December 1980. [13] The 31st NHK Kōhaku Uta Gassen was held on 31 December 1980 ...
This is a list of 1980s music albums that multiple music journalists, magazines, and professional music review websites have considered to be among the best of the 1980s and of all time, separated into the years of each album's release. The albums listed here are included on at least four separate "best/greatest of the 1980s/all time" lists ...
Group Ongaku is regarded as the first improvisational music and sound collective in Japan. Group Ongaku's aim was to re-evaluate improvisational elements in music, which had been lost in Western music since the Baroque era; its members sought to rediscover the meaning of music, which they thought had been minimized. [6]