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In 1995 the two museums collaborated on a joint show that displayed the two versions side by side, first on display in England and then in Canada. The two paintings of a similar subject done some seventeen years apart show the evolution of Gainsborough as an artist. The later painting is more sedate, the figures more composed and less excited.
This approach to landscape painting accorded with the ideas of his aesthetic influences: Alexander von Humboldt, the popular naturalist and science writer who devoted a section of his Kosmos to landscape art; and John Ruskin, the famous English art critic. Church's particular challenge was to produce a grand landscape painting of an environment ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Landscape with Figures and Animals is a 1763 landscape painting by the French artist Philip James de Loutherbourg. [1] It was the first painting the young Alsatian artist publicly exhibited. He submitted it to the Salon of 1763 at the Louvre in Paris where the art critic Denis Diderot's praise of it helped launch his career. [2]
Walters Art Museum: Landscape: 18th century MuMa Museum of modern art André Malraux: Helmingham Dell. Vallon dans le parc de Helmingham: 1800s Department of Paintings of the Louvre: Vue de Salisbury: 1800s Department of Paintings of the Louvre: The White Horse: 1819 The Frick Collection: Salisbury Cathedral from the Bishop's Garden: 1800s ...
The view Cole sought to paint was a particularly difficult one, as its panoramic breadth extended beyond the width of typical landscape paintings of the period. [1] To solve this problem, Cole stitched together two separate views from Mt. Holyoke, creating a synthetic, rather than a faithful, image of the scene. [ 7 ]
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The work depicts a mountain landscape with a lake and a small farm in the Northeastern United States based on Church's travels through the state of Vermont. The painting was originally part of the Nickerson art collection but was later donated to Valparaiso University as part of the Sloan bequest in 1953 and exhibited at the Brauer Museum of Art.