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In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III, he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional alternate settings for many of the individual numbers. In the ...
Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah. Handel uses a cantus firmus on long repeated notes especially to illustrate God's speech and majesty, such as "King of Kings" in the Hallelujah chorus. [6]
Handel used four voice parts, soprano (S), alto (A), tenor (T) and bass (B) in the solo and choral movements. Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. Handel uses both polyphon and homophon settings to illustrate the text.
In Handel’s great chorus, the word is joyous, victorious, accompanied by trumpets and drums. In Sergei Rachmaninoff’s "All Night Vigil," however, hallelujah reflects a more quiet devotion ...
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah, George Frideric Handel's well-known oratorio from 1741.
Hallelujah written in Modern Hebrew. Hallelujah (/ ˌ h æ l ə ˈ l uː j ə / HAL-ə-LOO-yə; Biblical Hebrew: הַלְלוּ־יָהּ , romanized: haləlū-Yāh, Modern Hebrew: הַלְּלוּ־יָהּ , romanized: halləlū-Yāh, lit. 'praise Yah') is an interjection from the Hebrew language, used as an expression of gratitude to God.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
Chorus Misattributed to Handel; by A. Lotti ("Missa Sapientiae"), but copied by Handel c. 1749. 245 Cantata Gloria in excelsis deo Chorus Misattributed to Handel; by A. Lotti ("Missa Sapientiae"), but copied by Handel c. 1749. 269 Amen...alleluja Soprano, Bass D minor 1735-46 Probably intended as a vocal study. 270 Amen Soprano, Bass F major ...