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Two-Face in Detective Comics #66. Art by Bob Kane. Two-Face was created by Batman co-creator Bob Kane, [1] and debuted in Detective Comics #66 ("The Crimes of Two-Face"), written by Batman's other co-creator Bill Finger, in August 1942 as a new Batman villain originally named Harvey "Apollo" Kent, a handsome, law-abiding former Gotham City district attorney close to the Batman.
In a later story, Two-Face takes a game show hostage to seek revenge on one of the contestants and Dent's father Lester, a gambling addict who brutalized him and Dent's mother whenever he lost. According to artist Ty Templeton , series writer Dan Slott had many ideas for Two-Face's stories for the series, but it was canceled before they could ...
In fiction, an origin story is an account or backstory revealing how a character or group of people become a protagonist or antagonist. In American comic books , it also refers to how characters gained their superpowers and/or the circumstances under which they became superheroes or supervillains .
A distinct meaning of alter ego is found in the literary analysis used when referring to fictional literature and other narrative forms, describing a key character in a story who is perceived to be intentionally representative of the work's author (or creator), by oblique similarities, in terms of psychology, behavior speech, or thoughts, often ...
When and where oral tradition was superseded by print media, the literary idea of the author as originator of a story's authoritative version changed people's perception of stories themselves. In centuries following, stories tended to be seen as the work of individuals rather than a collective effort.
The two-faced Roman god come to life," after learning of Trevelyan's betrayal. The University of Maryland's undergraduate history journal, created in 2000, is named Janus. [274] Cats with the congenital disorder diprosopus, which causes the face to be partly or completely duplicated on the head, are known as Janus cats. [275]
Chances are, one of the first jokes you ever learned started with the world's most famous opening setup: "Knock Knock." And while knock-knock jokes have engrained themselves in the American ...
Some literary critics and academics have classified escapist fiction and genres of science-fiction, thriller, mystery, romance and fantasy, as sub-literary and unworthy of being regarded as true literature. [6] Early critics complained that escapist fiction as a literary genre misleads readers in terms of the harsh truths of reality.