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I–V–vi–IV chord progression in C: 4: Major ... (Type I: Two common tones, two note moves by half step motion) V7–III7: 2: Major Montgomery–Ward bridge:
Media in category "Chord progressions" The following 5 files are in this category, out of 5 total. 'Satch Boogie' pitch axis progression.png 566 × 176; 21 KB
A common chord progression with these chords is I-♭ VII–IV-I, which also can be played as I-I-♭ VII–IV or ♭ VII–IV-I-I. The minor-third step from a minor key up to the relative major encouraged ascending scale progressions, particularly based on an ascending pentatonic scale. Typical of the type is the sequence i–III–IV (or iv ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
In some European countries (particularly France), pop and jazz musicians often use so-called "chord grids" that show in a graphical way the chord progression. To illustrate, below is an example of two-part tunes, each eight bars long. Each square stands for a bar, while the "•/•”symbol means to stay on the same chord as the previous bar.
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A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.