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Grindhouse is an American term for a theater that mainly showed exploitation films. These theatres were most popular throughout the 1970s and early 1980s in New York City and other urban centers, mainly in North America, but began a long decline during the mid-1980s with the advent of home video.
Grindhouse is a 2007 American double bill.It consists of two films, Planet Terror, a horror comedy written and directed by Robert Rodriguez, about a group of survivors who battle zombie-like creatures, and Death Proof, a slasher film written and directed by Quentin Tarantino, about a murderous stuntman who kills young women with modified vehicles.
Three friends, Arlene, Shanna and radio DJ "Jungle" Julia Lucai, drive down Congress Avenue in Austin, Texas, on their way to celebrate Julia's birthday.In a bar, Julia reveals that she made a radio announcement offering a free lap dance from Arlene in return for addressing her as "Butterfly", buying her a drink, and reciting a segment of the poem "Stopping by Woods on a Snowy Evening".
For fans of video stores and horror movies, Grindhouse Video has everything you're looking for. Plan your Halloween movie night now. Why Grindhouse Video, a worldwide hub for weird and wacky ...
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A grindhouse or action house [1] is an American term for a theatre that mainly shows low-budget horror, splatter, and exploitation films for adults. According to historian David Church, this theater type was named after the "grind policy", a film-programming strategy dating back to the early 1920s that continuously showed films at cut-rate ...
Theatrical release poster for the 1969 Argentine film Éxtasis tropical, starring Isabel Sarli, one of the biggest stars of the sexploitation genre. [1] [2]A sexploitation film (or sex-exploitation film) is a class of independently produced, low-budget [3] feature film that is generally associated with the 1960s [4] and early 1970s, and that serves largely as a vehicle for the exhibition of ...
The documentary chronicles the history of the American exploitation film from the days of Thomas Edison to contemporary films of the 21st century. [3] The film features interviews with John Landis, Joe Dante, Jack Hill, Don Edmonds, Fred Williamson, Allison Anders, James Gordon White, Larry Cohen, William Lustig, Herschell Gordon Lewis, Judy Brown, Jeremy Kasten, Jonathan Kaplan, Bob Minor ...