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Violent Cop (その男、凶暴につき, Sono Otoko, Kyōbō Ni Tsuki, lit. ' That Man, Being Violent ' ) is a 1989 Japanese neo-noir action thriller film directed by Takeshi Kitano , written by Kitano and Hisashi Nozawa , and starring Kitano, Maiko Kawakami , Makoto Ashikawa, Hakuryu , Ken Yoshizawa, and Ittoku Kishibe . [ 1 ]
A set of props used in the production of the Saw films, which are notorious for depicting extreme graphic violence. Extreme cinema (or hardcore horror and extreme horror [1] [2]) is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture.
The film is often called the "Japanese Godfather" [1] and marks a departure from traditional yakuza movies which had, for the most part, been tales of chivalry set in pre-war Japan. The overall tone of the series is bleak, violent and chaotic, expressing the futility of the struggles between yakuza families.
Pages in category "Japanese crime films" The following 43 pages are in this category, out of 43 total. ... Street of Violence; Swallowtail Butterfly (film) W.
According to the book Japanese Horror Cinema, "Conscious of the Columbine syndrome, which also influenced the reception of The Matrix (1999), much of the test audience for Battle Royale condemned the film for its 'mindless' and gratuitous violence in terms very reminiscent of the British attitude towards Sam Peckinpah's Straw Dogs (1971) on its ...
A man named Ichi stands on a balcony, masturbating while spying on a pimp raping and assaulting a prostitute.When the pimp discovers him, he flees. Sadistic yakuza boss Anjo is murdered. A cleaning crew run by Jijii removes all traces of Anjo's death and credits Ichi for the murder. Later, Kakihara, Anjo's sadomasochistic high-ranking enforcer, visits
Hana-bi (lit. ' Fireworks '), released in the USA as Fireworks, is a 1997 Japanese crime drama film written, directed and edited by Takeshi Kitano, who also stars in it.The film's score was composed by Joe Hisaishi in his fourth collaboration with Kitano.
The latter is particularly violent, the main character engaging in combat for a lengthy 7 minutes of film at the end of the movie. His characters are often estranged from their environments, and their violence is a flawed reaction to this. [6] Hideo Gosha, and many of his films helped create the archetype of the samurai outlaw. Gosha's films ...