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Robert Fagles (/ ˈ f eɪ ɡ əl z /; [1] September 11, 1933 – March 26, 2008) [2] [3] was an American translator, poet, and academic. He was best known for his many translations of ancient Greek and Roman classics , especially his acclaimed translations of the epic poems of Homer .
Not all translators translated both the Iliad and Odyssey; in addition to the complete translations listed here, numerous partial translations, ranging from several lines to complete books, have appeared in a variety of publications. The "original" text cited below is that of "the Oxford Homer". [1]
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
Robert Pinsky: The Inferno of Dante: A New Verse Translation: David Ferry: 1994: Rosmarie Waldrop: The Book of Margins by Edmond Jabès: Robert Hass: 1993: Charles Simic: The Horse Has Six Legs: An Anthology of Serbian Poetry: Carolyn Kizer: 1992: John DuVal: The Discovery of America by Cesare Pascarella: Edmund Keeley: 1992: Andrew Schelling ...
It is regarded as the best text of the Iliad. (Biblioteca Marciana in Venice as Codex Marcianus Graecus 454, now 822). ... Robert Fagles (Penguin Classics, 1990) ...
Emily Rose Caroline Wilson (born 1971) is a British American classicist, author, translator, and Professor of Classical Studies at the University of Pennsylvania. [1] In 2018, she became the first woman to publish an English translation of Homer's Odyssey.
Details from the krater's obverse have been used as a book cover illustration. The Penguin Classics deluxe edition of Robert Fagles' English translation of the Iliad employs a close-up of Thanatos for its front cover, and a close-up of Sarpedon for its back cover. [10]
Oedipus at Colonus, Jean-Antoine-Théodore Giroust, 1788, Dallas Museum of Art. Led by Antigone, Oedipus enters the village of Colonus and sits down on a stone. They are approached by a villager, who demands that they leave, because that ground is sacred to the Furies, or the Erinyes.