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Plan of the Agora at the end of the Classical Period (ca. 300 BC); the Stoa Poikile is number 11. Plan of the Ancient Agora of Athens in the Roman Imperial period (ca. 150 AD). The Stoa Poikile ( Ancient Greek : ἡ ποικίλη στοά , hē poikílē stoá ) or Painted Portico was a Doric stoa (a covered walkway or portico) erected around ...
The latter, while an inexact copy, is clearly informed by the Athenian original likely drawing on Le Roy’s work, then the only reference source before the publication of The Antiquities of Athens. Commissioned by the King of Prussia, the Gate inaugurated the Greek Revival in Germany even though the edifice deviated notably from the canonical ...
In the Neo-Attic style that revived the Severe style of the original bronzes, it shows idealized portraits of the two heroes: a clean-shaven Harmodius, thrusting a sword forward in his upraised right hand, another sword in his left hand; and Aristogeiton, also brandishing a sword, with a chlamys, or cape, draped over his left shoulder.
Subsequently, the Athenians and their allies, led by Themistocles, defeated the Persian navy at sea in the Battle of Salamis. Xerxes had built himself a throne on the coast in order to see the Greeks defeated. Instead, the Persians were routed. Sparta's hegemony was passing to Athens, and it was Athens that took the war to Asia Minor.
If the purpose of classical art was the glorification of man, the purpose of Byzantine art was the glorification of God. In place of the nude, the figures of God the Father, Jesus Christ, the Virgin Mary and the saints and martyrs of Christian tradition were elevated and became the dominant - indeed almost exclusive - focus of Byzantine art.
Examples are Apollo (Metropolitan Museum of Art, New York), an early work; the Strangford Apollo from Anafi (British Museum, London), a much later work; and the Anavyssos Kouros (National Archaeological Museum of Athens). More of the musculature and skeletal structure is visible in this statue than in earlier works.
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Euthymides was an ancient Athenian potter and painter of vases, primarily active between 515 and 500 BC. He was a member of the Greek art movement later to be known as the Pioneer Group for their exploration of the new decorative style known as red-figure pottery . [ 1 ]