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The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1661, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The Letters of St. Catherine of Siena. Vol. 4. Binghamton: Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton. ISBN 978-0-86698-036-4. (Republished as The letters of Catherine of Siena, 4 vols, trans Suzanne Noffke, (Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2000–2008))
Saint Catherine of Siena Receiving the Stigmata is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, executed c. 1515, now in the Pinacoteca Nazionale di Siena. The painting depicts Catherine of Siena kneeling in front of a crucifix, as she receives the stigmata. The Virgin Mary carrying the Christ Child appears ...
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Saint Catherine of Siena Receiving the Stigmata; T. Tornabuoni Altarpiece This page was last edited on 20 April 2024, at 17:57 (UTC). Text ...
Under a canopy supported by angels, Mary enthroned, at the top of a flight of steps, looks at her infant son who rings Saint Catherine of Siena, kneeling on the right.. Some saints are present, arranged in an ordered symmetry, among with Saints Peter and Paul, Saint Sigismund, Saint Dominic, the infant John the Baptist, Bernardino of Siena and Saint Catherine of Alexandria, in the backgr
A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
Sister Plautilla Nelli (1524–1588) was a self-taught nun-artist and the first ever known female Renaissance painter of Florence. [1] She was a nun of the Dominican convent of St. Catherine of Siena located in Piazza San Marco, Florence, and was heavily influenced by the teachings of Savonarola and by the artwork of Fra Bartolomeo.