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A sonnet sequence or sonnet cycle is a group of sonnets thematically unified to create a long work, although generally, unlike the stanza, each sonnet so connected can also be read as a meaningful separate unit. The sonnet sequence was a very popular genre during the Renaissance, following the pattern of Petrarch. This article is about sonnet ...
This template should be placed at the top of each article for William Shakespeare's individual sonnets (e.g. Sonnet 1).It provides navigation to the previous and next sonnets in the sequence, a place for an image from the 1609 Quarto with caption, and houses the full text of the sonnet with verse structure apparatus and citation.
A crown of sonnets or sonnet corona is a sequence of sonnets, usually addressed to one person, and/or concerned with a single theme.Each of the sonnets explores one aspect of the theme, and is linked to the preceding and succeeding sonnets by repeating the final line of the preceding sonnet as its first line.
Caelica or Cælica is a sequence of 110 sonnets and poems by Fulke Greville, Lord Brooke. Martha F. Crow thinks the large part of the poems youthful work composed before 1586, while the last poems in the series (more serious in tone) were written later.
Many English sonnet sequences start with addresses to the reader, and “many of [these addresses] specifically raise questions about the relationship between being in love and writing and reading love sonnets”. [5] The beloved is a major interest of sonnet sequences, but the poetry itself is also an important focus. While the soulful poetry ...
Pamphilia to Amphilanthus is a sonnet sequence by the English Renaissance poet Lady Mary Wroth, first published as part of The Countess of Montgomery's Urania in 1621, but subsequently published separately. [1] It is the second known sonnet sequence by a woman writer in England (the first was by Anne Locke). [2]
In most sonnet sequences in the Petrarchan tradition, the speaker yearns for a lover who is sexually unavailable. Not only is there a conflict between spiritual and physical love, but the love object is often already married; it is an adulterous love. "Spenser's innovation was to dedicate an entire sequence to a woman he could honorably win". [6]
The form was taken up by a host of other poets over the next century, for the most part composing long amatory sequences, although at the end of this period John Milton had demonstrated the sonnet’s adaptability to a much wider range of subject matter. After him, scarcely any sonnets were written until the form’s revival during the second ...