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The user assumes all responsibility for clearing reproduction rights and fees as well as any infringement of United States copyright law (U.S. Code, Title 17) Authorized materials used for publication, exhibition, or display must be credited to "The Diaz-Ayala Cuban and Latin American Popular Music Collection, Florida International University ...
Los Brito made their official debut in mid-1967 in the Cuban television program “Música y estrellas”, directed by Manolo Rifat and hosted by Eva Rodríguez. [7] [8]They performed the song "Matías Pérez", by Alfredo Brito, which tells the story of Matías Pérez, who, according to popular tradition, made a balloon trip from which he never returned.
The best Cuban lyrical singer in the 20th century was the operatic tenor Francisco Fernandez Dominicis (Italian name: Francesco Dominici) (1885-1968). The best Cuban female lyrical singer in the 20th century was the mezzo-soprano Marta Perez (1924-2009). She sang at La Scala in Milan, Italy in 1955. [71]
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s.
Trova musicians have played an important part in the evolution of Cuban popular music. Collectively, they have been prolific as composers, and have provided a start for many later musicians whose career lay in larger groupings. Socially, they reached every community in the country, and have helped to spread Cuban music throughout the world. [4]
Two albums related to the song "Macarena" hit the top spot of the chart: Macarena Non Stop by Los del Río, which spent four non-consecutive weeks at number-one, starting on August 3, 1996, and Macarena Mix, a compilation album with music by Sandalo, Manolos, El Lupe and The Sacados, which spent nine weeks at number-one from September 21 ...
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The first Cuban popular music genres that emerged to the public awareness at the beginning of the 19th century, known as Punto cubano and Zapateo, [6] were created by peasants without any formal musical education; as well as the popular styles of Rumba Urbana or "de cajón" (wooden boxes) and the Cuban Carnival Conga (music).