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The instrument was largely inspired by the glass harmonica created by Benjamin Franklin, [6] and was given the name glasschord by him. [7] On 6 July 1785, Thomas Jefferson that Franklin carried a version of the instrument with him, describing it as a sticcado .
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
The opening movement begins with a broad statement by the piano and orchestra, working in unison to form a collaboration of orchestral minor chords and a whirling series of piano triplets shifting between minor and major modes. The agitated introduction settles onto a simple but expressive main theme punctuated by the tambourine.
"Glassy" debuted at number 167 on South Korea's Gaon Digital Chart in the chart issue dated October 3–9, 2021, [10] ascending to number 137 in the chart issue dated October 17–23, 2021. [11] On its component charts, the song debuted at number 17 on the Gaon Download Chart, [ 12 ] and number 145 on the Gaon BGM Chart in the chart issue dated ...
The melody of How Stands the Glass Around James Wolfe, posthumous portrait "How Stands the Glass Around" , also referred to as " General Wolfe 's Song" , is an English folk song . [ 1 ] The lyrics express the suffering of soldiers , wherefore the song was primarily popular among people serving in the military. [ 2 ]
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).