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Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
In Lecture 19 he sets out the classic statement of parallelism, which remains the most fundamental category for understanding Hebrew poetry. He identifies three forms of parallelism, the synonymous, antithetic and synthetic (i.e., balance only in the manner of expression without either synonymy or antithesis). This idea has been influential in ...
Antithetic parallelism is a form of parallelism where the meaning of two or more excerpts of text are observed, although directly linked by providing the same meaning from differing perspectives. This type of parallelism is used in order to create repetition of meaning as a technique for cognitive reinforcement, thus more effectively ...
Parallelism as a rhetorical device is used in many languages and cultures around the world in poetry, epics, songs, written prose and speech, from the folk level to the professional. An entire issue of the journal Oral Tradition has been devoted to articles on parallelism in languages from all over. [ 3 ]
Both chiasmus and antimetabole can be used to reinforce antithesis. [6] In chiasmus, the clauses display inverted parallelism.Chiasmus was particularly popular in the literature of the ancient world, including Hebrew, Greek, Latin and K'iche' Maya, [7] where it was used to articulate the balance of order within the text.
Melitzah (Hebrew: מְלִיצָה) is a medieval Hebrew literary device in which a mosaic of fragments and phrases from the Hebrew Bible as well as from rabbinic literature or the liturgy is fitted together to form a new statement of what the author intends to express at the moment.
Hebrew poetry is poetry written in the Hebrew language. It encompasses such things as: Biblical poetry, the poetry found in the poetic books of the Hebrew Bible; Piyyut, religious Jewish liturgical poetry in Hebrew or Aramaic; Medieval Hebrew poetry written in Hebrew; Modern Hebrew poetry, poetry written after the revival of the Hebrew language
Tercets (or tristichs) using parallelism appear in Biblical Hebrew poetry. [10] [11] The tercet was introduced into English poetry by Sir Thomas Wyatt in the 16th century. It was employed by Shelley and is the form used in Byron's The Prophecy of Dante. [12]