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Robert Stam (born October 29, 1941) is an American film theorist working on film semiotics. He is a professor at New York University , where he teaches about French New Wave filmmakers. [ 1 ] Stam has published widely on French literature , comparative literature , and on film topics such as film history and film theory .
This work highlighted film semiotics as a new tool in art criticism. The book provided an overview of previous thinkers and defined terms critical to semiotic film theory. “This book is intended as a didactic introduction to the vocabulary of the field, not as a series of interventions in film theory” [1] Part One The Origins of Semiotics
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Film theory seeks to systematize film as a medium. It may use Critical theory, Formalism, Marxism, philosophy of language, or Lacanian psychoanalysis, while film criticism analyzes and examines a specific film (though larger generalizations can still be deduced from criticism).
It was the creation of the auteur theory, which examines film as the director's vision and art, that broadened the scope of academic film studies to a worldwide presence in the 1960s. In 1965, film critic Robin Wood , in his writings on Alfred Hitchcock , declared that Hitchcock's films contained the same complexities of Shakespeare 's plays. [ 3 ]
Screen theory is a Marxist–psychoanalytic film theory associated with the British journal Screen in the early 1970s. [1] It considers filmic images as signifiers that do not only encode meanings but also mirrors in which viewers accede to subjectivity. [ 2 ]
العربية; Azərbaycanca; تۆرکجه; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца) Български
Film theorist Robert Stam also argues that "art film" is a film genre. He claims that a film is considered to be an art film based on artistic status in the same way film genres can be based on aspects of films such as their budgets ( blockbuster films or B-movies ) or their star performers ( Adam Sandler films).