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The instrument was largely inspired by the glass harmonica created by Benjamin Franklin, [6] and was given the name glasschord by him. [7] On 6 July 1785, Thomas Jefferson that Franklin carried a version of the instrument with him, describing it as a sticcado .
Gradually the climax declines until the snare and piano share two major-key progressions, signalling a short but fluid exit of instruments. The last to leave are the strings; the piano then concludes the movement alone in soft minor resolutions (in some ways similar to those finishing the cadenza of Tchaikovsky's First Piano Concerto.)
The Miracle system assesses the player's ability to create custom lessons. [4] Fun exercises were meant to make learning the piano seem less like a chore and more like playing a video game. Instead of using the traditional NES controller, the piano becomes the controller as players aim at targets in order to perfect their music skills.
In 1994, Philip Glass wrote six seemingly ordinary piano etudes for conductor and pianist Dennis Russell Davies on the occasion of his 50th birthday. Glass also wrote them for himself.
Glass then inserts a characteristic series of chord progressions often present in his mature style. These rise in intensity, flying into a complex, ecstatic tutti . Playing throughout the majority of the movement, the timpani guide the orchestra into a quick descent, and, having quieted the ensemble, provide gentle pulse .
Philip Glass wrote all of the concerti on commission from various ensembles or people; the Concerto Fantasy, for example, was requested by Jonathan Haas, a respected timpanist. Glass stated in 2000: "Jonathan Haas approached me almost ten years ago with an invitation to write a Timpani Concerto for him.