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In the Brazilian tradition, the rabeca chuleira is simply called rabeca and is not a short-scale instrument unlike its Portuguese cousin. The Portuguese viola braguesa finds a counterpart in its Brazilian cousin, the viola caipira. In forró music, the rabeca is typically accompanied by accordion, zabumba drum, and triangle.
Print/export Download as PDF; Printable version; ... Pages in category "16th century in Brazil" The following 16 pages are in this category, out of 16 total.
Print/export Download as PDF; Printable version; In other projects ... The following is a chronological list of Brazilian classical composers: Baroque. António José ...
19th-century, Brazil, sheet music: Sheet music in the Brazilian National Digital Library. Brazilian National Digital Library: Bodleian Library Broadside Ballads: Britain, broadside ballads: 30,000 Printed materials range from the 16th to the 20th Century. University of Oxford: Brahms-Institut: Johannes Brahms: 20,000
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Bartholomäus Gesius – Psalmodia choralis (Frankfurt an der Oder: Friedrich Hartmann), a collection of antiphons, responsories, hymns, introits and other mass music; Jakob Hassler – Madrigals for six voices (Nuremberg: Paul Kaffmann) Orlande de Lassus – Prophetiae Sibyllarum for four voices (Munich: Nicolaus Heinrich), published posthumously
Brazil is a large, diverse country with a long history of popular-musical development, ranging from the early-20th-century innovation of samba to the modern Música popular brasileira. Bossa nova is internationally well-known, and Forró (pronounced [foˈʁɔ] ) is also widely known and popular in Brazil.
A highly influential figure in Brazil's history in the first century after its European discovery, Anchieta was one of the founders of São Paulo in 1554 and of Rio de Janeiro in 1565. [1] He is the first playwright, the first grammarian and the first poet born in the Canary Islands, and is considered the father of Brazilian literature.