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Madonna and Child was painted by one of the most influential artists of the late 13th and early 14th century, Duccio di Buoninsegna.This iconic image of the Madonna and Child, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries.
Madonna and Child with Saints, Duccio. The Madonna and Child with Saints Polyptych is a five piece Madonna polyptych by Italian Renaissance artist Duccio di Buoninsegna, also referred to as Polyptych no. 47 by Duccio. The bright colors and gold used in the work reflect Duccio's usual style. Above the Madonna, Child and four saints, the ...
Madonna and Child (Duccio, Metropolitan) Madonna and Child (Francesco Solimena) Madonna and Child (Gentile da Fabriano, Perugia) Madonna and Child Playing with the Veil; Madonna and Child (Masaccio) Madonna and Child enthroned with St. John the Baptist and St. Augustine (Permeniates) Madonna and Child in Glory over the City of Bologna
Madonna and Child (Duccio, Metropolitan) Madonna and Child with Saints Polyptych; Madonna with Child and Six Angels; Maestà (Duccio) R. Rucellai Madonna
Object history: Count Grigoriy Sergeyevich Stroganov, Palazzo Stroganov, Rome (by 1904–d. 1910); his daughter, Princess Maria Grigorievna Scerbatov, and her children, Prince Vladimir Alekseevich and Princess Aleksandra Alekseevna, Palazzo Stroganov (1910–all three d. 1920); Prince Vladimir's widow, Princess Elena Petrovna Scerbatov, and their children, Princess Olga Vladimirovna and ...
Duccio di Buoninsegna (UK: / ˈ d uː tʃ i oʊ / DOO-chee-oh, [1] Italian: [ˈduttʃo di ˌbwɔninˈseɲɲa]; c. 1255–1260 – c. 1318–1319), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century.
The Black Madonna of Częstochowa, Poland Black Madonna of Outremeuse, Liège, in a procession Black Madonna of Guingamp Madonna at House of the Black Madonna, Prague. The term Black Madonna or Black Virgin tends to refer to statues or paintings in Western Christendom of the Blessed Virgin Mary and the Infant Jesus, where both figures are depicted with dark skin. [1]
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