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The Blue Period (Spanish: Período Azul) comprises the works produced by Spanish painter Pablo Picasso between 1901 and 1904. During this time, Picasso painted essentially monochromatic paintings in shades of blue and blue-green, only occasionally warmed by other colors. These sombre works, inspired by Spain and painted in Barcelona and Paris ...
Blue in Sikhism: The Akali Nihangs are famous for wearing all-blue attire in Sikh culture. Guru Gobind Singh is also known to have had a blue roan horse. The Sikh Rehat Maryada clearly states that the Nishan Sahib hoisted outside every Gurudwara should be xanthic (Basanti in Punjabi) or greyish blue (modern day Navy blue) (Surmaaee in Punjabi ...
In Renaissance paintings, artists tried to create harmonies between blue and red, lightening the blue with lead white paint and adding shadows and highlights. Raphael was a master of this technique, carefully balancing the reds and the blues so no one colour dominated the picture. [74]
The painting was investigated by scientists at the Rochester Institute of Technology and the Museum of Modern Art in New York. [85] The pigment analysis has shown that the sky was painted with ultramarine and cobalt blue, and for the stars and the moon, Van Gogh employed the rare pigment indian yellow together with zinc yellow. [86]
Tonalism was an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominated compositions by artists associated with the style. [1]
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
It is a set of three-part display abstract oil paintings by the Spanish modern artist Joan Miró. The paintings are named Bleu I, Bleu II, Bleu III (in English, Blue I, Blue II, Blue III) and are similar. All are large paintings of 355 cm x 270 cm each, and are currently owned by the Musée National d'Art Moderne in the Centre Pompidou in Paris.
The Blue Room (La chambre bleue) is a 1923 painting by French artist Suzanne Valadon. One of her most recognizable works, it has been called a radical subversion of representation of women in art. [1] Like many of Valadon's later works, it uses strong colors and emphasizes decorative backgrounds and patterned materials. [2]