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"Hey Stephen" is a song written and recorded by the American singer-songwriter Taylor Swift for her second studio album, Fearless (2008). It is a country pop , folk-pop , and teen pop song about an unrequited love , inspired by a real-life infatuation.
The lyrics are about temptations and reluctance caused by a dangerous love affair. Big Machine Records released "Sparks Fly" to country radio in the United States on July 18, 2011, as the fifth single from Speak Now. The accompanying music video was released on August 10, 2011, and it features footage from the Speak Now World Tour. Some critics ...
"Fifteen" is a song written and recorded by the American singer-songwriter Taylor Swift for her second studio album, Fearless (2008). Inspired by Swift's high-school freshman year, the lyrics narrate how she and her friend Abigail Anderson, both at 15, experience teenage heartbreak and realize life aspirations. Swift included the track on the ...
Swift, 34, performed a mashup of “Speak Now” and “Hey Stephen” on guitar as her first surprise song of the evening. After singing the “Hey Stephen” bridge lyric, “All those other ...
“No, Stephen, I first recorded that song in 2008. I think I was like 18. ... “‘Hey Stephen’ is not about you any more than my album 1989 is about that year you spent waiting tables on the ...
The song received some positive reviews from music critics upon its release. After the release of Animal for download, "Stephen" charted on the lower regions of the South Korea Gaon International Chart. A music video for the song was released on the repackaging of the singer's debut album, Animal + Cannibal.
A music video for the song was released earlier on June 6, 2013. Produced by Butch Walker, "Everything Has Changed" is a guitar-led folk-pop ballad. Its lyrics are about wanting to know a new lover better. The song received mixed reviews from critics, who either complimented or criticized the production.
Several critics also praised the vivid and detail-heavy lyrics [18] [20] [35] —Dan DeLuca of The Philadelphia Inquirer said "Dear John" was a sign of Swift's "growing confidence" in songwriting. [14] Hogan wrote that this quality, alongside the song's deliberate pace, made "Dear John" a "devastating takedown for the ages". [20]